Polish diver and videographer Darek Sepiolo’s waterworld.
His 2008 one, which became quite a sensation, “Galapagos”
One of the most poetic, poignant and original movies I’ve seen in a looong time. (ok – loved Django insanely) but this is a whole other animal. And it’s an independent film made on a small budget. I’m in love with this little strong-willed girl/actress who is the protagonist in the movie. The trailer does no justice to the full film though. Do turn off the irritating youtube annotation button if you watch this.
If there are problems viewing the video, you can watch it directly on this link: http://www.youtube.com/watch?v=ZF7i2n5NXLo
I will not write a long post or review of the film, just that it is one of the most beautiful, fantastical, poignant, quirky and unique films I have had the pleasure of watching in my life, and is a reminder of the magic film-making can still be able to create with no expensive CGI effects, but just a strong narrative, stunning camera-work, incredible acting by first-time actors (both the little girl and her daddy) and a lot of love and passion by the film’s makers – Benh Zeitlin and Luci Alibar.
Personally, I have always felt a strong connection with movies which had the female protagonist who was different, not the loud, “popular” girl, or the one who is always with a bunch of other girls – but the introverted, introspective and precocious girl who lives in her own world of action, intellect, imagination, loves her solitude, books and nature and wild clean adventures, looks soft and feminine yet is strong and self-assured and is not afraid to fight her battles or those of the innocent….there are so few in films that way – Amelie (Le Fabuleux Destin d’Amélie Poulain), Lisbeth Salander (The Girl with the Dragon Tattoo), Lara Croft (Tomb Raider), Elizabeth (Pride & Prejudice – the 2005 film) and Jane Eyre – two Victorian women I have always loved, along with Irene Adler from Sherlock Holmes (the books – not the movies which do not even come close to the intelligence Doyle had endowed Irene with) and Ofelia (in Pan’s Labyrinth). And Hushpuppy from Beasts of the Southern Wild certainly is one from the same family – even though at five years of age, she is definitely the bravest yet the most vulnerable and the youngest and poorest. But you see the same characteristics – the strong will, the powers of observation of the world around her, and the inner strength and ability for introspection; and quiet non-verbal kindness and understanding, but at the same time a determined sense of justice, and wishing to heal and fix the fractures in existence. The introverted girl – a minority in our world and in evolutionary statistics.
Beasts of the Southern Wild also has one of the coolest movie websites…took me a while to realize if you hover the mouse on the screen, little creatures pop up to take you to different scenes.You can directly download the movie from the Apple website (details on the film’s website in the link below) for only 5$.
An experience not to be missed…..
Movie synopsis: In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee, a six-year-old girl exists on the brink of orphanhood. Buoyed by her childish optimism and extraordinary imagination, she believes that the natural world is in balance with the universe until a fierce storm changes her reality. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions.
A good review by Bret Fetzer: The devastated landscape of the Louisiana bayou becomes a primordial world in the eyes of 6-year-old Hushpuppy (the fierce and magnetic Quvenzhané Wallis). Hushpuppy’s father Wink (Dwight Henry), emotionally unstable and increasingly ill, fights to maintain their ramshackle home, along with the rest of the precarious community of the area known as the Bathtub–but a Katrina-esque storm leaves the Bathtub flooded, driving Wink to desperate lengths. Faced with the loss of everything she knows, Hushpuppy decides her only hope is to find her mother, but her only clue is a winking light in the distance. Beasts of the Southern Wild tells its story entirely from the 6-year-old girl’s perspective; the actions and emotions of adults take on a mythic scope, as does the damaged environment in which she lives. The movie is dense and rich, often as obscure and murky as the overgrown bayou itself, sometimes off-putting and enticing at the same time. Wallis, her performance brimming with feral energy and a wounded soul, carries the movie with more star power than most adults could muster. The dialogue is thick with intriguing metaphors and the images resist being easily interpreted into a conventional plot, but the story gradually emerges, rising to a potent end. Viewers who take the time to sink into its mysteries will be rewarded.